Skinny Disease: Arte

Friday, November 22, 2013

The african tribe Hadza

The african tribe Hadza2 The african tribe Hadza

The african tribe Hadza3 The african tribe Hadza

The african tribe Hadza4 The african tribe Hadza

The african tribe Hadza5 The african tribe Hadza

The african tribe Hadza6 The african tribe Hadza

The african tribe Hadza7 The african tribe Hadza

The Hadza or also know as Hadzabe are a small 1000 people african tribe who live around Lake Eyasi in the central Rift Vally, central Tanzania. German photographer Martin Schoeller who is represented by vh-artist and the National Geographic are presenting The Hadza photo collection which contains some interesting tribal images.

The NG also ask a interesting question.

They are living a hunter-gatherer existence that is little changed from 10,000 years ago. What do they know that we’ve forgotten?

What do you think, have we forgotten something along the way?

Thursday, June 13, 2013

Chinese Propaganda Posters

John Foster

Bloomsbury Auctions in London held an auction last week of vintage Chinese propaganda posters, largely from the 1950s and 60s. In the heyday of what was then called Red China by the West, millions of these were placed in shop windows and factory walls throughout the mainland — all designed to spread fear of U.S. Imperialism and promote the ideals of Communism. Though propaganda in China today is spread via the mouthpieces of state-run radio and television news — or highly-censored news from other countries, some internet access and robust activity with social media give the people at least a chance for balanced understanding of the world.

Gu Yuan Smash Imperialist Invasion and March Forward for the building of Our Peaceful, Happy Life
770 x 530 mm, by Gu Yuan, People's Pictorial [Beijing], 1951.

Chao Yu Resist US and Support Korea to Defend Hometown and Motherland
The edition was 10,000, 770 x 530 mm, by Chao Yu, People's Fine Art Publishing House [Beijing], 1951.

Bi Cheng Defend our Motherland and our Hometown
770 x 530 mm, by Bi Cheng, People's Fine Art Publishing House [Beijing], 1951.

Gu Yuan I am a hero of both fighting and labor
770 x 530 mm, by Gu Yuan, People's Pictorial [Beijing], 1951.

Suzhou artists' association Young students should join the military training class to strengthen the national defence
770 x 530 mm, by Suzhou artists' association, Suzhou Committee of defending world peace and resisting the US imperialist invasion, 1951.

Resist US and Support Korea to Save Neighbors and Ourselves
770 x 530 mm, Chinese People Defending World Peace and Against US Aggression Association, East China General Branch, 1951.

Gu Yuan US invaders must be defeated
770 x 530 mm, with archive stamp from previous owner, by Gu Yuan, People's Fine Art Publishing House [Beijing], 1951.

Gao Junxian Great International Love and Endless Hatred
770 x 530 mm, by Gao Junxian, People's Fine Art Publishing House [Beijing], 1951.

Li Mubai Zhang Jihui, the air force hero of the Korean kids
770 x 530 mm, by Li Mubai, Shanghai Pictorial Publishing House [Shanghai], 1951.

Suzhou artists' association Resist US and support Korea to defend the motherland and family
400 x 530 mm, by Suzhou artists' association, Suzhou Committee of defending world peace and resisting the US imperialist invasion, 1951.

Ye Wenxi Anti-American Empire to aim Japan
530 x 380 mm, original drawing by Ye Wenxi, 1951.

Zhang Ding, Wu Guanchong Long Live the Victory of the Korean People's Army and the Chinese People's Army
530 x 770 mm, by Zhang Ding, Wu Guanchong, People's Fine Art Publishing House [Beijing], 1951.

Ye Shanmou Smash the US imperialist germ war with anti-bio shots for everyone
770 x 530 mm, by Ye Shanmou, People's Fine Art Publishing House [Beijing], 1952.

Miao Su Wipe out fire to save peace
770 x 530 mm, by Miao Su, People's Fine Art Publishing House [Beijing], 1952.

Zhang Biwu Vice Chairman Song and Young Pioneers
770 x 530 mm, by Zhang Biwu, Tianjin People's Art Publishing House, 1963.

Cai Zhenhua With the help of the Soviet Union, we will do our best to realize the modernisation of motherland
770 x 530 mm, by Cai Zhenhua, East China People's Fine Art Publishing House [Shanghai], 1953.

Zhao Yannian Developing More Production can Wipe Out One More Enemy
770 x 530 mm, by Cao Yinian, East China People's Fine Art Publishing House [Shanghai], 1953.

Tao Mouji Save Taiwan Compatriots
770 x 530 mm, by Tao Mouji, East China People's Fine Art Publishing House [Shanghai], 1954.

Weng Yizhi Salute to, and learn from the work models
770 x 530 mm, by Weng Yizhi, Shanghai People's Fine Art Publishing House [Shanghai], 1955.

Oppose the US for interfering with our national affairs
770 x 530 mm, People's Fine Art Publishing House [Beijing], 1958.

Shao Jingkun, Zhao Yu Oppose Warfare
The edition was 10,000, 770 x 530 mm, by Shao Jingkun, Zhao Yu, People's Fine Art Publishing House [Beijing], 1958.

Xing Chen, Shen Lin American Aggressors are Sure to Hang Themselves
770 x 530 mm, with archive stamp from previous owner, by Xing Chen, Shen Lin, Shanghai People's Fine Art Publishing House [Shanghai], 1958.

East Wind Prevails over West Wind
770 x 530 mm, Central Arts and Handcrafts Institute, 1958.

Yang Xianrang Long live the brother friendship of China and Soviet Union
The edition was 19,000, 530 x 770 mm, by Yang Xianrang, People's Fine Art Publishing House [Beijing], 1959.

Wu Yun Form the possible united front in order to win the war against Imperialism
The edition was 6,000, 770 x 530 mm, by Wu Yung, People's Fine Art Publishing House [Beijing], 1960.

Sunday, March 17, 2013

Incredible Photos of Japan’s Recent Volcano Eruption

By Chloe Pantazi on Mar 13, 2013 9:30am

Few would brave getting this close to an erupting volcano. If the German photographer Martin Rietze – who produced this astounding series of photographs of an exploding volcano in southern Kyushu, Japan – was even a little bit frightened when he captured these, his photos don’t betray him. There’s an audacity inherent to each of Rietze’s photos (which we discovered at My Modern Met), in the lush plumes of pink, gray, and purple smoke, the volcano’s sparkling jets of lava, and the flashes of lightning that crackle at their top. His photos offer a way of looking at a natural disaster that could create phenomenal danger but is also, for all the harm it might reap, overwhelmingly beautiful to watch. Perhaps looking at Rietze’s photos invokes the same kind of relationship to the volcano – a unique mixture of awe, wonder and fear – the photographer felt himself, standing before the thing itself.